By Zoe York
In May, I made the exciting and scary decision to transition to writing full-time. I’ve always thought of myself as a professional writer, but for the first time I actually started to look at writing as my business. The first thing I did was a quick analysis of my book list and compare it to the book lists of authors with similar reader bases. One common element is that most authors I’d like to sit next to on the digital shelves have multiple series on the go. (And if you aren’t convinced that you should be writing series, we need to chat.)
That so many were writing two or more separate worlds surprised me, because I’ve often heard the advice, focus on one series. And I get it: sales really take off with the fifth title. But when I thought about it, multiple series written in the same or similar worlds allow readers multiple entry points to that author’s book list.
So that changed my plan in a big way.
Starting with my first book, What Once Was Perfect, I’d crafted my Wardham books to be exactly the type of romance series I wanted to read: sexy, Canadian, and with characters that are a bit unexpected. They’re quiet books, tightly focused on the developing relationship, and I love reading them. Mission accomplished!
But after the success of our bestselling military romance superbundle, SEALs of Summer, I was reminded of the broad appeal of a high-concept hook. And I like to read those books too! Give me a billionaire who stumbles when he falls in love and I’m a goner.
It’s hard to look at books you love, books you are proud of writing, and realizing that they lack a certain accessibility. That’s what high-concept means: that readers will get what the book is about in the two seconds they give your book page. It starts with a succinct description: some call this an elevator pitch, a tagline, a log line. And many try to figure it out after the book is written.
That’s what I did with my Wardham books. I wrote them, then I tried to figure out how to market them.
Crafting a book from the beginning to be high-concept means starting with that tag line. “Six years. Two break-ups. One divorce. They should be over each other.” That in a nutshell is Love in a Small Town, and it was one of the first lines I wrote down when brainstorming my new series.
A successful high-concept book is going to deliver on that promise to the reader from the inside out. A well-branded cover can tell the reader everything they need to know about the story, hook them in an instant. My friend Cora Seton does this so well with her Cowboys of Chance Creek series.
Two self-publishing rules butt up against each other here: how can I stay committed to the Wardham series if I’ve taken a hard, business-minded look at it and found it lacking? (Hint: I haven’t … not all readers want high-concept books, and I’m happy to write different series for different audiences.)
While writing Beyond Love and Hate in May, I fell in love with the brother of the hero. Unlike Finn, Ryan Howard doesn’t live in Wardham. I sat in Starbucks for days, writing Finn’s story, the whole time growing more and more interested in Ryan’s story. So I pulled out my idea notebook and sketched out a bit of his story, and a new series was born.
Connected, but different. Higher-concept hooks. Wardham, but with choppier waves and craggier bluffs, I told a fan, and the description has stuck in my head ever since.
Pine Harbour is a fictitious town halfway up the Bruce Peninsula. It was named by my Facebook reader group, the Wardham Ambassadors.
It turned out that Ryan’s story wasn’t the first romance that needed to be told in Pine Harbour. As I plotted and wrote, two books popped up before Love on a Spring Morning, which will be Ryan’s story, coming next March. The first book, which I wrote in five weeks and I absolutely love, is called Love in a Small Town.
I love this book so much that I’ve done nothing but talk my writer friends’ ears off about it all summer. Rafe and Olivia Minelli are divorced, but they never fell out of love with each other. Now Olivia’s thinking hard about leaving her adopted town, and Rafe’s finally realizing that something—many things—will need to change if he’s going to convince his wife to give him another shot.
One writer I spoke to, Lexi Ryan, is a self-published author I greatly admire. She started in contemporary romance, and now writes very popular crossover New Adult/contemporary romances. With her latest series, Here and Now, Lexi used a marketing plan to show online book retailers how serious she was about launching her books with a bang. The term marketing plan sounds dense and daunting, but Lexi really helped me see that it’s not much more than we already know. “Writing a marketing plan isn’t as scary as it sounds. It shows vendors that you approach your book releases and promotion strategically,” Ryan explained. “That little bit of effort can go a long way, and most of us already have our strategy in mind. The official plan simply puts it in a form that can be shared with others.”
I was sold.
I put together a Love in a Small Town Marketing Plan and shared it with a few friends who pointed out obvious things that I had missed (see my complete list below). Looking at the final document, I understood Lexi’s point: it was everything that I hoped for my series, objectively laid out. And it gave me confidence that I was approaching the launch of this new series in a logical and strategic manner.
Even for a brand new author, documenting a release plan like this can be a useful way to milestone your career. Compare marketing plans release to release to see growth in your social media platform and advertising reach—and if you’re not seeing any growth, figure out why.
Marketing Plan Must Haves:
- book and series information; I broke this into two sections
- promotional plan for pre-order and release week (blog tours, ad buys, social media plan)
- author platform numbers, including newsletter and social media reach
- author bio
- upcoming release schedule for future books in the same series, and all upcoming author titles, including collaborative projects
Zoe York is a New York Times and USA Today bestselling author, a busy working mom of two young boys, wife to a very understanding soldier, and creator of modern, sexy, small town contemporary romances. She lives in London, Ontario and is currently chugging Americanos, wiping sticky fingers, and dreaming of heroes in and out of uniform. Connect with her on Facebook, Twitter and on her website.
Great post, Zoe! Thanks for sharing. 🙂
Great tips! And a great reminder that indies are more that just writers – we need to think like businesspeople as well. It’s up to us to study the market (and our own work) and adjust course if need be–without sacrificing the stories we want (or need) to tell. Finding that balance (staying true to our voice/muse/creativity/whatever-you-want-to-call-it while also having the objectivity to analyze our work and approach) seems like a necessary skill for a long-term successful career.
This post has also inspired me to type up my own official marketing plan. 🙂 I’m a little embarrassed I haven’t been doing this all along.
Excellent advice! Thanks for sharing it Zoe.
Zoe is amazing! Love her and her books.
This is awesome, Zoe! I love to see how you organized all the information.
Thanks for the post. Got me to thinking about more than one series!