A blog about writing and self publishing

Aspiring children/YA authors can go indie too

Our guest lecturer says self-publishing isn’t just for grown-ups

By Karen Inglis

As a successful self-published children’s author I was delighted when Kobo invited me to give a talk on self-publishing at a course being run by Curtis Brown Creative on Writing for Children and Young Adults.

The 15-strong class was mid-way through a part-time 12-week course run by UK children’s author Tony Bradman. Following on from me that day were (no less!) Francesca Simon, author of the Horrid Henry books and the UK’s newly appointed Children’s Laureate, Malorie Blackman. I felt honored to be billed alongside such incredible company!

Self-publishing – a real alternative

A slot on self-publishing on any creative writing course makes total sense now that this method of getting to market has come of age. For many aspiring authors, serious self-publishing offers a real (and in many cases more realistic) alternative to pursuing the traditional publishing route.

The Secret Lake by Karen InglisIn my case it has led to sales of almost 2,000 books in print and over 2,500 ebooks across my first two titles –The Secret Lake (Aug 2011) and Eeek! The Runaway Alien (Feb 2012).  This is clearly not a JK Rowling story – however, the fact that my sales count in 1000s and print copies are stocked in the UK’s main bookstore, Watertones, is no mean feat: many children’s authors only sell books in the 100s!

Quality, quality, quality…

Publishing ‘too soon’ is the biggest mistake an author can make – yet extremely tempting and easy to do given the user-friendly upload interfaces offered by platforms such as Kobo, CreateSpace and KDP.

The fact is that none of us should go anywhere near these platforms until our work is fit for purpose. By this I mean:

  • reviewed and edited to a professional standard – both in terms of plot/characters and copy editing
  • book blurb reviewed and edited
  • proofread by a professional editor
  • a cover that has been professionally designed, and which works well both in print (if relevant) and as a thumbnail for online stores
  • formatting (print and/or ebook) has been thoroughly checked for display errors

Thankfully, the first time I took a copy of The Secret Lake into Waterstones, the manager there said to me: ‘Gosh, this doesn’t look self-published!’ My hard work had clearly paid off – and I felt proud!

Assuring quality – two key approaches

Just as serious self-publishing has grown, so has the range of freelance editors, designers, formatters, and assisted publishing services on offer. There are two main ways you can take advantage of these.

Option 1 – Combine freelance help with DIY upload

One approach is to use specialist freelance professionals for most or all of the steps below:

  • Cover design
  • Structural / story /character review/edit
  • Copy editing
  • Proofreading
  • Formatting (for print and/or ebook)*

Once ready, you then upload your files yourself to whichever platforms you are selling through. This is the approach I have used for both my print and ebooks.

*If you are very confident using HTML or the finer aspects of Word then you could format your files yourself. Likewise, programs such as Scrivener has ePub conversion tools, and Kobo has just announced the facility to format your ebook within their dashboard.  My own advice, however, is still to get help with formatting, unless you are certain you have the time and wherewithal to cope technically if/when things go wrong!

Option 2 – Get end-to-end help from an assisted publishing service

There are a number of reputable companies that offer a range of services under one roof, from editorial review and line editing, to cover design to formatting – and right on through to upload, distribution and marketing. The cost of these services can reasonably run into the high £100s or low £1000s, but should never be extortionate.  In some cases you can pick and choose the extent or level of service you want – but, importantly, you retain full rights to your work.

Choosing a freelancer or publishing service

Where do you start?  In short, you need recommendations from people you trust.

For this you can of course talk to authors you know or look on writer forums and blogs. I’d also recommend joining the Alliance of Independent Authors. This is a global not for profit organization for self-publishers, which offers regular advice on all aspects of self-publishing. Their book Choosing A Self-Publishing Service – The Indie Author’s Guide also contains recommendations and will be updated every 20 weeks.  It also highlights companies or operations to avoid.


Alas there is not room to go into detail here, but suffice it to say that once your book is out there the hard work starts.  To find out specifically about marketing children’s books why not pop over to my blog and read my children’s books marketing tips.


About the Author

karen-inglis-headshot1Karen Inglis lives in London, UK, and self-published her first children’s book The Secret Lake – a ‘time-slip’ mystery adventure for 8-11 year-olds – in September 2011.  Her second book, ‘Eeek!‘ – about a runaway alien who loves soccer (!) – came out on 29 Feb 2012. She’s also recently released her first rhyming picture book – Ferdinand Fox’s Big Sleep.

Check out her self-publishing blog, and her author blog.

Keep in touch with her on Twitter: @kareninglis

3 Responses to “Aspiring children/YA authors can go indie too”

  1. Freda Moya

    This was great to read. I have spent two years on writing my children’s book, editing and perfecting it. I have endlessly researched editing and formatting and marketing tips and I agree with all you say. I want to self publish but I want to achieve the highest standard possible. Money is always an issue but i think if I can can at least gain a professional edit and proofread I will be happy. I will buy into formatting but still need to research which self publishing platform to go with finally. It is also good to find someone who has self published for the same age range as my book is aimed at. It has been difficult to find specific advice about children’s books. Next port of call; your blog on marketing tips! Thank you 🙂

    • Karen Inglis

      I’m glad you found it useful, Freda! I’d certainly recommend KDP and Kobo to start with for e-book versions as the interfaces are so easy to use. For print I use CreateSpace for sales via Amazon.com in the USA and Lightening Source UK for print distribution here in the UK ( LS delivers into UK wholesalers which means that UK bookshops can order in my print books easily easily.) You can find out more on my blog http://www.selfpublishingadventures.com – where I’ve also just added an article on self-publishing a picture book…

      • Freda Moya

        That’s great! Thanks for the advice as I have been debating recently which POD supplier to go with. As you are UK based it helps to get your perspective. Thanks again.


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