Book trailers – the next best thing since bookmarks?

by Tina Folsom

When I first saw book trailers pop up on blogs and websites, I was frankly baffled. Why would anybody make a book trailer? Who would see it anyway? And would somebody really buy your book because they liked the trailer? After all, a book is not advertised in the same way a movie is.

I tried to find the answers to these questions, because I was curious whether an investment in a book trailer (and the good ones aren’t cheap) would be warranted. Here’s what I found at first: fans love book trailers. For them it’s as if somebody had made a movie of their favorite book, allowing them to dream and live through it once more. It’s really meant for them, as a little thank you and to encourage them to come back. I also found that a trailer can enrich your website, your blog, and any newsletter you might send out to your readers. It can also give you a very professional look.  But your website, your blog, and your newsletter are directed toward readers who already know you. Again, you’re marketing to existing fans.

So how can you use this trailer to help make new readers curious about your books? I dug deeper and came up with with several possibilities of how to get the most mileage out of your book trailer:

  • First of all, make sure you get a really polished book trailer that reflects the feel of your writing. I used www.bookcandystudios.com to get mine done. While they weren’t cheap, they were very professional and great to work with, no matter how many changes I wanted done.
  • Upload your trailer to youtube and make sure you assign great keywords to it
  • Update your website and blog with the trailer
  • Upload your trailer to your Goodreads author page
  • Post your trailer on Facebook and ask your fans to share the post – to get your FB friends and fans to share your trailer, host a little contest and raffle off a free book, a poster, or anything else you think is appropriate. People are entered in the contest if they share your FB post. It’s a relatively easy and inexpensive way to spread the word.
  • You can also use the trailer on Facebook ads. I have noticed that people are much more likely to click on a video in a FB ad rather than on a link or cover.
  • Google Adwords also allows you to advertise trailers, but this can become pricey. So watch your budget on this one.
  • Occasionally some retailers will allow you to post a trailer on your book’s product page. I recently got one retailer to post my trailer (in English, German, French, and Spanish) to my books’ product pages, really enhancing my listings. It makes the books stand out and entices readers who browse through the books on the site to really take notice. Eventually, more and more retailers might look at this kind of enhanced product listing and allow authors to do this.
  • If you’re technically savvy and know how to embed a video into an ePub, you can also do that, however, again, in this case you’re marketing to your existing fans.

Other possibilities might crop up in the next few months as retailers become more sophisticated and more willing to work together with authors, helping them market their books. Make sure you’re ready for it.

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About the Author

Tina-8457-HR-ColorTina Folsom is an international bestselling author of paranormal romance with over 15 books published in four languages.  She currently lives in San Francisco.

Visit Tina’s website

Check out Tina’s Scanguards series on Kobo

Promoting your Kobo books

By Maia Sepp

What are some free – or nearly free – ways for the penny-pinching indie writer to promote their Kobo books and build their platform?

Sociable!

These days it’s crucial for indie writers to have a mailing list, website, Facebook page, Goodreads, Google+ and Twitter accounts, and whatever new technology pops up in the next five minutes. Now, not everyone is going to fall madly in love with every social media format – my relationship with Twitter is probably headed for divorce – but there are ways to cross-post your postings and tweets. Generally, it’s recommended that you focus on the one form of social media that you like the most and then distribute that content out to your other social media accounts (via software packages such as Hootsuite, or built-in site plugins.)

One other way to keep up with what’s going on in the industry is to join an indie author organization. For a small fee, you can rub virtual shoulders with other indies as well as established writers who are making a living off of their writing. One that I’d recommend is The Alliance of Independent Authors, a non-profit indie advocacy organization that blogs about the book industry, hosts guest speakers, and is generally full of awesome.

Much Ado About Free Content

There’s been a ton of buzz in the blogosphere lately about using free content for promotional purposes. Putting all that aside, free can still be a component of building an indie writer’s platform. Goodreads, a social reading platform that has over ten million members and growing, is a fantastic place to promote your book. There’s a good amount of confluence between Goodreads and Kobo customers, and one of the great perks of that relationship is that Goodreads reviews can be used to populate a Kobo writer’s product page. (If you haven’t added your book to Goodreads yet, you can take a look at the Goodreads Author Program here.)

One excellent way to find readers on Goodreads is to host a giveaway (running the giveaway is free, but you’ll need to cough up the bucks to mail a hard copy of your novel). I hosted one in January, which became one of the top fifteen giveaways that month, resulting in 3000+ entries, with 10 winners. Winners are expected to post reviews of your book (Goodreads says that about 60% go on to do so). Over 2000 readers added my book to their “to read” list as part of the giveaway entry, some of whom are now reading and reviewing my book. One thing that not everyone’s aware of is that you can do more than one giveaway in a six month period. I’m going to run a second giveaway in April to take advantage of this option. And another perk: lots of “to reads” will result in placement in “also bought” lists, which helps other Goodreads readers discover your books.

Another interesting way to use free content to build readership is to publish a teaser portion of your book for free on Kobo, Goodreads, or a site like Wattpad. Wattpad, another free social media site, allows people to read, like, and follow you as well as comment on your books, so you have a built-in audience when your next release comes out. People who enjoy my teaser chapter have gone on to review and read my full novel (and have been helpful enough to say where they found it). It’s challenging to determine the exact relationship between offering free content and subsequent sales, but what we do know is that it will help expand our online footprint, which is never a bad thing.

Kobo-Specific Promotional Sites

There are a small (and hopefully growing) group of Kobo-specific sites that list Kobo books. One is Kobo Book Hub, which lists books for free, and cross-promotes via their Facebook and Twitter pages. Another site is Trindiebooks, which posts recommendations, reviews and listings. Bookbub is also a site that can be used to promote on Kobo. (I can’t vouch for how successful these sites are in getting the word out, but I’ll be investigating in the next little while. I’ll post the results on my site.)

Kobo Contests and Sales

I’d recommend always putting your books forth for participation in Kobo Writing Life contests, sales, listings, etc. Thanks to the Kobo Christmas sale a few months ago, my debut novel, “The Sock Wars,” ended up on the Kobo Writing Life bestseller list, peaking at #9, which makes participation in Kobo sales my most successful promotional effort to date. Hopefully Kobo will continue to expand these types of promotional tools and offerings so that KWL writers can keep building their Kobo-specific platform.

What are Other KWL Writers Doing?

It’s always important to spy keep an eye on other writers who have been doing this a while, and who are doing well at it. Kobo Writing Life authors who are both successful and generous with their experiences include Joanna Penn, Edward W. Robertson, and Lindsay Buroker. Add these authors to your blogroll (and check out their books!) – you won’t be sorry.

Other Ideas?

What’s worked for you? What promotional tools have you used? Which indie writers do you follow?

About the Author

Maia Sepp left a career in IT to write about home renovations and sock thievery. Reach Maia online at maiasepp.com.

Check out Maia’s books on Kobo!

How turning eBooks into audiobooks can help increase your readership

By Lindsay Buroker

As an independent author (okay, as any kind of author), it’s a struggle to get noticed. You’ve written a wonderful book, but how do you get the word out? How do you “build a platform,” “turn yourself into a brand,” and [insert other appropriate catch-phrase here]?

I’ve been self-publishing, in particular e-publishing, my books for a little over two years now, probably not a long enough time to claim any vast expertise, but I have been making a living from my work for the last year. I have seven novels and several shorter works out and sell about 3,000 ebooks a month. In other words, I’m not a huge bestseller (I believe the industry term is “mid-list author”), but as an indie, those numbers aren’t too shabby since you keep a much higher percentage of earnings than you do when you’re traditionally published.

What’s my strategy? It’s been a combination of giving away some of my work for free and of trying to have it available everywhere. You know, in an evil-genius take-over-the-world kind of way. In addition to having my free ebook available at Amazon, Kobo, Smashwords, Apple, Scribd, Wattpad, Feedbooks, and other stores and writer hangouts I’ve forgotten, I also have free audiobooks out there as “podcasts” (meaning people can subscribe to the book at iTunes or Podiobooks and listen to the episodes one chapter at a time). As of last autumn, people can also purchase the audiobooks at Audible, but I’ve kept the free versions out there to help bring people into my world.

If you’ve ever thought of turning your book into an audiobook, here are a couple of reasons why I’m a fan of the practice:

1. There’s less competition in iTunes and at Podiobooks, so it’s easier to “be found.”

I’m not going to lie: creating a high-quality audio version of your book will either take a lot of time or a good chunk of money. I’d dabbled with podcasting and knew I didn’t want to spend the required time on narration and editing (I’ve heard it can take a new narrator ten hours of work for everyone one hour of finished audio that comes out). I decided to hire the folks at Darkfire Productions to handle my books. They are a small and fairly affordable outfit, but they still had a number of voice talents to select from. They suggested Starla Huchton, and I thought, yup, that’s my Amaranthe (Amaranthe is the heroine and main point of view character in my Emperor’s Edge books). And she does a good job with my male aristocratic dandy, Maldynado, too!

In addition to narration and editing, DP handles the file uploading for me, as well as the contracts with Audible. Some indies may wish to keep more control over these things, but I’ve found it great not to have to worry about them.

For authors on a tighter budget, or for those who simply enjoy the thought of narrating their own books (Nathan Lowell did his whole series this way and built up a huge fan base before he ever released his first ebook), you can check out Podcasting for Dummies or another “getting started” book. Everything that’s true for podcasting will apply for audiobooks. You can get a decent equipment setup for a couple hundred dollars, and then it’s just a matter of finding time and a quiet place in the house (I’ve heard of numerous podcasters who record from the closet!).

2. You reach an audience who might otherwise never have heard of you

The world is full of people who don’t have a lot of time to read but who do spend numerous hours a week commuting to their job, working with their hands, exercising at the gym, or perhaps even walking the dog. Those are activities that are tough to do while holding a book but that are perfectly suited for listening to something in the background. I know because I’m one of those people. I listen to 5-10 podcast episodes a week, and I’m usually listening to an audiobook too. When I think back over recent books I’ve finished, four out of five of them have been in audio form.

These busy people might not spend a lot of time digging through Amazon for new books (and when they do, they’re more likely to stumble across bestsellers, not obscure new indie authors in a very crowded marketplace), but they may love your story, if they simply have a chance to find it. As audio fans, they might browse at Podiobooks or iTunes (sites with, as we mentioned, fewer options in any given genre) and find your work if its there.

3. But do “podiobook” listeners become book buyers?

You might be thinking, but what’s the point of courting these readers if they don’t buy books? First off, I think you’ll find that there’s some crossover (I’ve had people email, saying they’ve enjoyed the EE audiobooks, but since I write and publish ebooks faster than the audiobooks are produced, these folks have gone on to purchase the later ebooks in the series). Even if some listeners never buy anything, they can become an active part of your fan community, recommending the books to friends, some of whom will buy them.

As I mentioned earlier, you’ll also find that there are ways to get professional quality podiobooks into Audible, where you can charge people for complete forever-theirs versions. I haven’t made a fortune that way yet, but I am making some money, and every bit helps when you’re looking to make a career as an author. In addition to helping you increase your fan base, audiobooks can be one more way that you can add to your author income.

 

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The Emperor's EdgeLindsay Buroker is a successful self-published author with a background in blogging, search engine optimization and internet marketing, among other talents.  You can find her at her own website or on Facebook, and don’t forget to check out Emperor’s Edge and her other books on Kobo!

IndieReCon post: 7 worst mistakes indie authors make

Indierecon-logo4This past February was IndieReCon, an online convention for self-publishers. Every hour, eight hours a day, for three days, industry professionals of all stripes posted articles, vblogs, and hosted live chats. There were also great giveaways and prizes to be won!  It’s generated a wealth of information, and the following is an excerpt/summary of one of the fantastic articles that was posted.

Be sure to click through for the full article, and register for IndieReCon when it rolls around next year!

7 Worst Mistakes Indie Authors Make by Joanna Penn

To be an independent author means taking your book project seriously. But most of us haven’t been in publishing for our whole careers, so it’s inevitable that we make mistakes along the way.

Mistakes aren’t bad either. They are the human way to improve and learn. But it helps if we can help each other!

I’m not perfect and I continue to learn along the writer’s journey but here are the worst mistakes I have made and seen others doing too. I’d love to hear from you in the comments about your mistakes as by sharing, we can all improve together.

  1. Not spending enough time learning about you, your book and your audience
  2. Not getting a professional editor
  3. Not getting professional book cover design
  4. Doing a large print run without having a distribution deal
  5. Paying way too much for services you can do yourself with a little education
  6. Doing no marketing at all, or getting shiny object syndrome
  7. Focusing everything into one book

For the whole article and more details, read the whole article here!

6 tips for marketing your book online

by Rob Tucker, Co-founder at ReadWave

In the current publishing climate, writers (whether published or self-published) are increasingly responsible for their own marketing. For the last four years I’ve been running an online digital publishing platform which we’ve recently rebranded as ReadWave,that aims to help writers build up a readership online. During that time I’ve had access to a lot of data on what people read online, when they read, and most importantly, why some writers are successful in getting readers and others aren’t. Here are some of the key insights that I’ve learned over the last four years, which hopefully will help you plan a marketing strategy for your writing.

1) The Importance of Short Stories (even for novelists)

Even if your eventual goal is to sell your novel, start by writing some great short stories and hosting them as free giveaways online. If you’re not yet a well-known author, then readers are 300 times more likely to read a short story of yours rather than the first chapter of a novel. When it comes to online reading, try to keep your stories under 1,500 words as these get by far the most traction.

2) The Limitations of Personal Websites
When most writers decide to market their writing, they usually start by building their own website. If you decide to make your own website the centre of your marketing campaign you’re going to come up against some fairly large problems. Not only is getting people to visit your website extremely difficult, but normally people visiting your site will look around for a few minutes and then leave, never coming back again. You need to RETAIN your visitors and keep them coming back again and again. One solution would be to put a newsletter sign up form on your website (I would recommend MailChimp if you decide to go for this route) but you might be disappointed with the result – getting newsletter sign ups is hard. A better option is to make one of your social networks the centre of your marketing campaign; that means your Facebook, Twitter, GoodReads or ReadWave page. If you decide to make your Facebook page the centre of your marketing campaign then have a go at building your website on Facebook itself using the Static HTML app. There are plenty of guides on how to do this yourself if you’re a bit tech-savvy (it might be easier than you think!), otherwise hire a pro. You can even set it up so that readers get a free giveaway if they “like” your Facebook page. This will be much more effective than driving traffic to your personal website.

3) Building a Mailing List
Every writer needs a database of the names and email addresses of their grassroots supporters, and whether you’ve written anything new this month or not, you need to keep those supporters engaged every month through newsletters. Really you should put the same time and effort into writing your newsletters as you do in writing your stories. Building a mailing list is difficult, there’s no doubt about it. After speaking to lots of writers, we decided to make newsletters a built-in feature at ReadWave since at the moment there are almost no services that are specifically geared towards helping writers get more sign-ups. A word of warning though, beginners at email marketing tend to get a bit scared by sending out thousands of emails in one go and compensate for this by being stiff, or even worse, sounding corporate. If you do this, people will very quickly unsubscribe. It’s better to send out no newsletter than a bad newsletter. Be funny and easy to approach in your newsletters. Think of it as a chance to build a positive brand around yourself, rather than to sell, sell, sell.

4) A Picture Is Worth A Thousand Words
When it comes to digital content, pictures really are key. Readers are more than five times more likely to start reading stories with interesting pictures than those without. It’s also worth noting that the peak time for online reading is mid-week when people are bored at work. This means that readers don’t want to be seriously engaged with your magnum opus, they just want to flick through something that is quick and easy to read whilst their boss isn’t looking. Think about your online and offline content as two fundamentally different things; online content is very much about surface values. Readers won’t have a lot of time to ponder the hidden depths of your story.

5) Embedding and Linking

The more times a link to your story appears online the better your Google ranking will be, so you should openly share the link to your free online content in as many places as possible. Social networks like Facebook and Twitter are a no-brainer, but try to be more creative, think of other blogs and online communities where you might share your link. At ReadWave we’re building an embedding service to help out with this, which means that you can post your story onto blogs and other websites in exactly the same way that you can post a YouTube video. If you’re approaching bloggers to try to get them to post up your story then take the time to actually get to know them, read their blogs, write some comments on their previous blog entries, sign up to their mailing list. Online marketing operates on a favor for favors system, so be generous and you shall receive.

6) Self-promote
Finally I just wish to comment on a strange writer’s affliction that I’ve noticed time and time again whilst running ReadWave. Whereas musicians and artists have no problem shamelessly promoting themselves, the majority of writers tend to be fairly conservative about getting their name out there, as though marketing is too vulgar for them. Often it’s simply a lack of confidence. Whether it’s a colleague; a friend of friend; or just a stranger that you got chatting to, every single person you’ve ever met or will ever meet is potentially a part of your fanbase. This is how marketers think and, without being pushy about it, you should try to embrace that philosophy as much as you can. Don’t be shy.
Best of luck to you all in building your readership, and if you have any questions you can contact me at:

rob[at]readwave[dot]com
Join us on Facebook

@readwave

Press releases: the next step in self-marketing your eBook

by PR Newswire

With the shift to self-publishing, many more authors have the exciting opportunity to diversify the virtual book shelves, however they are then faced with the challenge of capturing the attention of new readers looking for their next adventure.  No longer just responsible for transferring their creative works onto “paper,” independent authors now have to play the part of editors, literary agents, publicists and marketing professionals to promote their books- and usually without much of a budget.  And while word-of-mouth can certainly boost the visibility of an indie author, this word of mouth can be difficult to get going.

So how does one build an online presence?  There are a number of tactics – creating an optimized website chock-full of relevant information, being active on social channels, publishing a robust blog with interesting and engaging content to entice your readers and…online press releases.

Yes, press releases.

The traditional, tried-and-true tool is no longer simply used by the powerful brands and agencies to reach the media with the hopes of landing a media mention.  Today, online press releases help strengthen one’s online presence, support search engine visibility, and is a catalyst to drive website traffic.   The internet is the first stop a reader will go to research a new book or topic and by distributing an online press release, you can increase your chances of being discovered online, growing your potential readers exponentially.

PR Newswire has been helping brands and organizations tell their stories for nearly 60 years.  And with iReach, its self-service, budget-friendly online press release solution, independent authors have the opportunity easily upload and syndicate their content to some of the Internet’s most visited websites.

iReach lets you:

  • Syndicate your content to 1500+ website such as Yahoo! and AOL, making your content available to the thousands of people visiting these websites every day.
  • Host your press release on PRNewswire.com forever with a keyword-rich URL.  PRNewswire.com is the industry’s most trafficked website and is built on an optimized platform helping you get found on the largest search engines.
  • Make it easy for your audience to share your message and expand your reach through social media with multiple, targeted Twitter feeds and an embedded social toolbar on your release
  • Include multimedia with your release to engage your readers even more.

Authors send online press releases to:

  • Announce the availability of a new eBook - this is an obvious one.  Let your readers know that your book is available for their enjoyment.
  • Highlight and publicize great reviews.  Readers have an endless number of platforms to share their thoughts about your book, so when the positive reviews flow in, utilize an online press release to propel the positivity forward.  It will help make sure your audiences discover the great reviews when they are searching for their next read.
  • Promote book milestones – Were you included in a best-seller list, recognized by a blogger, receive media attention or attain a certain number of downloads?  Highlight your big wins and let your readers know about your successes.
  • Announce a book signing or book tour – If you are hitting the road or holding a reading, let your readers know where they can find you.  Online press releases can help you boost your presence offline, too.

A KWL author recently put iReach to the test. Here’s what she has to say!

“I love PR Newswire!  Not only was the iReach platform incredibly easy to use, but PR Newswire’s PR Toolkit taught me everything I needed to know about how to write an effective press release.  My iReach release appeared on hundreds of sites which greatly impacts my presence online and helps new readers find me when they are searching.    And did I mention the thrill of seeing my book cover up in lights in Times Square?  I never imagined that could be possible, but PR Newswire made it happen.  I will definitely use the service again as soon as I have more news to share. ”

USA Today bestselling author, Julianne MacLean

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PRNewswire logo DEC 2012PR Newswire is the premier global provider of marketing and communications solutions that let you produce, optimize, target, distribute, and measure content across all channels. Combining the world’s largest multi-channel, multicultural content distribution and optimization network with comprehensive workflow tools and multimedia platforms, PR Newswire enables the world’s enterprises to engage opportunity everywhere it exists. PR Newswire, a UBM plc company, serves tens of thousands of clients across the world.  Follow @PRNewswire and @PRNsmallbiz on Twitter for the latest PR and marketing news and information.

How to survive a bad book review

Reading bad reviews of your work can be tough – we might feel that they’re unsubstantiated, that the reviewer simply “didn’t get it,” or that they have a bone to pick with us personally for some reason.  Regardless, bad reviews can hurt, and we may feel tempted to respond in kind, with harsh words and criticism of our own.

Three words:  don’t do it.

Not once. (Okay, five words.)

The one thing you’ll have to remember as an author with published material out in the world is that all sorts of different people are going to read it, and they’re going to have all sorts of different opinions on it. Art is subjective, and you’re not going to be able please everyone. There will be some who simply don’t like your work, and they’ll tell you about it. Sometimes they do so constructively, politely, and thoughtfully. Sometimes they go for the jugular.

Bad reviews don’t often go viral – they might if they’re particularly harsh and hilariously-written, but by and large, reviews don’t get much attention from anyone other than those who are either thinking about reading a particular book or have just finished reading a particular book. But there is one way to make sure a bad review gets seen by everyone in the industry: react poorly and publicly.

There are countless examples online of authors (or their agents, or their spouses) getting defensive and antagonistic in comment threads on bad reviews about their books. There are even reports of authors creating “sockpuppet” accounts from which to praise their own works and trash the reviews of those who dare to disagree. None of this behaviour is appropriate, professional, or helps convince people that the reviewer is mistaken and you’ve in fact written a brilliant piece of pure genius.

Here are some tips on how to read criticism of your work and minimize the personal impact:

  • Allow yourself your first reaction, but keep it private. Rage, cry, vent to a good friend, write a scathing reply, do whatever you need to do to rid yourself of the initial emotional reaction to a bad review – but keep it to yourself.  Rage into a pillow, vent in person to a friend (not in email or on social media), or write the reply by hand and then destroy it. Feel your knee-jerk emotional reaction, and then purge it. Letting it run away with you will do you no good.
  • Once calm, re-read the review. Pay attention, and look past the insults, if any.  Sometimes the criticisms that cut us closest to the quick are those that hit closest to the truth. Does the reviewer have a point? A valid concern? Are these things you can keep in mind for your next story?  Something to bear in mind is that if you’re getting multiple bad reviews that all make similar points; it might be worth it to listen, and give it some serious consideration.
  • If you must reply, you can. If you’re just starting out building your fan base and are trying to engage your audience as much as possible, don’t suddenly fall silent on the one review that doesn’t praise you. Don’t stoop to their level, however. Returning insults for insults will make you look petty, unreasonable, and unprofessional, no matter how vicious the initial attack.  Acknowledge the review and thank them for their time. And that’s all.
  • Move on. Don’t obsess. Bad reviews happen to even the most successful and popular authors of all stripes. Think of it this way: you’ve just joined their illustrious ranks! Rejection and bad reviews are all part and parcel of being an author. Call it a learning experience and get on with your next project.

Regardless if the reviewer has some well-articulated, polite, and valid criticism, or is an erupting volcano of vitriol insulting you, your skills, your parentage, and your pets – your reaction should be the same in all cases: either complete silence, or a polite acknowledgement and genuine gratitude for the time they spent reading, thinking about, and writing about your work.

How to make Facebook work for you

We want to make 2013 the year YOU break through! So we’ll be supplying some helpful tidbits on how to accomplish this.

If you don’t already have a Facebook Page, we would highly suggest creating one. Facebook is one of the largest social networking sites, with more than 90 million active members; it is the most visited social network site out there right now.

You can connect your blog (if you have one) to your Facebook Page by adding a hyperlink to your blog in the description area of the page. You can also add a widget onto your actual blog that will allow you to connect your visitors to your Facebook Page.

Once you’ve shared your Page with your friends and family, and they have shared it with their friends and family, this should be the beginning of your fan base. But there are some do’s and don’ts to posting on Facebook to keep your Page “Likes” up instead of down.

Do:

Engage your fans. Ask your followers questions. Get them to share, comment or “like” your posts. This activity shows up on their friends news feeds and this could potentially increase your fan base even further.

Use the tools you’re given. Facebook allows you to see which of your posts are the most popular, it tracks your likes, what time of day gets the most activity, you can check out your follower’s demographics and there is so much more. You can use this information to your advantage to create future posts.

Don’t:

Don’t use your page to sell. We know the main point is to sell more books. But there is nothing that will lose fans quicker, then trying to sell to them constantly. You can use your page for discounts, coupons and even new arrivals. But don’t make it the bulk of your posts. Try and be more creative with your posts by having pictures and contests for extra content etc. that will help drive traffic.

Think before you post. Remember that you never know who might be reading your post, so be careful of the things that you say. Always be politically correct and never use the page to verbally harass or harm another person or site. This will result in traffic declines and maybe even being shut down in general. And always remember your audience: they are the ones who will be reading your posts therefore the content should be interesting to them, not only you.

Embracing international sales channels

by Rebecca Hamilton

Being inclusive toward an international audience is something that has been important to me since I first published. If someone wants to read my book, no matter who they are or where they live, I want to make it as easy as possible for them! This is why my website, www.paranormalfantasybooks.com, has a purchase page that links to opportunities to buy my book in any country. Where some authors might only show their US and UK links, I think it’s important to remember that someone from India or Spain or France or Germany or Italy or Brazil or anywhere might want to read your book.

Is it worth it to put this effort in? Absolutely. You might think you’ll only reach one person, so why bother, but there’s a few reasons you should bother.

  1. It’s the right thing to do. As an author, I’m sure you don’t want to send the message that you only care about people who live in your own country. Because I know that’s just not true. Most of us authors have met amazing people and formed amazing friendships all over the world.
  2. Social Media doesn’t discriminate to location! I talk to people from all over the world all the time. They are often asking where they can get my book (and I like being able to easily link them to one place where they can find the right option for them!) And you make 1 happy reader in, say, Spain, and before you know it you have 2 readers in Spain. Then 10. Then 100.

Sometimes authors focus only one purchase venue, too. But not everyone reads on the same device! Not everyone wants to buy their print books through the same stores! I’ve met many readers who have a preference for various online retailers and many readers who have different reading devices. You want to be inclusive. Send the message that you care about your readers and want them to be able to read your book, as easily as possible. A reader is more likely to buy and read your book if they don’t have to spend an hour figuring out where they can get it that actually applies to them.

Also, by doing so, you improve your exposure and success! Consumers are more likely to buy a product if they’ve seen it in 3 or more places. This is why you want your books in as many stores and on as many blogs and mentioned on as many social media networks as possible.

the forever girlI owe a lot of success to my first novel, The Forever Girl, to my devoted overseas fans. It means the world to them to know that there are people that care about including them. And when they find an author like that whose work they enjoy reading, they will promote you endlessly to their friends—both in their own country and around the world, once again, thanks for the wide world of social media!

Of course, I have limits. For example, I don’t speak every language, so my book is currently only available in English. And it always makes me feel a little sad when people message me and ask when my book will be available in their language. With the help of my amazing agent, that is starting to turn around. Already there is a planned release for a German edition of my book.

Here are my top three marketing tips to get your book out there with international inclusivity.

  1. Create a website landing page that makes finding the purchase links to your book easy. This page should include links to every possible purchase options—be it print, eBook, international, etc.
  2. Promote across all platforms. Tweet/Facebook/Email/Blog—whatever you do, be sure you are targeting all device users, either together or separately! Keep in mind those devices that are just starting to grow in popularity are also less likely to have a lot of authors marketing to that audience—meaning it’s going to be a lot easier for you to stand out in that crowd!
  3. Engage your fans internationally. If they can’t find your book in their country, help them find it. If it’s not available in their country, find a way to change that. And if all else fails, consider sending along a free copy for them to read. They might not live in your country, but if they can talk to you, they can talk to other people in your country as well.

My biggest, most supportive fan lives in India. She has helped to sell countless copies of my book. I know I owe much of my success to her and people like her—people from all over the world who wanted to read my book. They were able to because I made it easy to do so. And you can do this, too!

Happy writing, and I wish you tons of international success and may 2013 bring you new friendships and book sales from across the globe!

******************

rebecca hamiltonRebecca Hamilton writes Paranormal Fantasy, Horror, and Literary Fiction. She lives in Florida with her husband and three kids, along with multiple writing personalities that range from morbid to literary. Having a child diagnosed with autism has inspired her to illuminate the world through the eyes of characters who see things differently.

Click here to see Rebecca Hamilton’s books at Kobo (and yes, they are available INTERNATIONALLY)
Click here to download a free extended sample of The Forever Girl

Event: Self-publish & market your book

If you happen to be in the Toronto area, come to the Professional Writers Association of Canada’s event: Self-Publish & Market Your Book.

  •  Thursday November 22nd, 2012
  • 7pm – 9pm
  • Miles Nadal Jewish Community Centre, Room R318, 750 Spadina Avenue Toronto ON, M5S 2J2

Listen to author Harry van Bommel, freelance writer Paul Lima, and Kobo Writing Life’s own Mark Leslie Lefebvre as they participate on a panel that will cover such topics as writing and editing, design and layout, and self-promotion and publication.

Don’t miss it!

Click here for more information and to register!

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